A sculptural exploration of mass, layering, and material depth, Linea Prima .0016 is conceived as an entry table where structure becomes a sequence of grounded horizontal planes. The piece unfolds through stacked rounded volumes, creating a composition defined by weight, shadow, and architectural rhythm. Rooted in brutalist principles, the design resists ornament in favor of proportion, material honesty, and pure structural expression. Its presence is solid and deliberate — a series of elongated forms that appear to hover and anchor simultaneously, balancing visual heaviness with a sense of suspension. The defining quality of Linea Prima .0016 lies in its layered construction and the richness of its material. Executed in high-gloss rosewood burl, the piece reveals a deep, organic grain that intensifies tonal movement across its curved surfaces. The burl pattern introduces a natural complexity that contrasts with the clarity of the geometry, allowing the material itself to become the primary ornament. Its rounded edges soften the brutalist weight of the composition, while the polished finish captures light across each plane, emphasizing reflection, depth, and the sculptural continuity of the form. The result is a piece that feels both monumental and refined — grounded in strength, yet elevated through material sensuality. Through its layered volume, polished rosewood burl surface, and disciplined architectural presence, Linea Prima .0016 embodies the central ethos of LINEA PRIMA — Brutalist Foundations: the pursuit of forms built from strength, clarity, and material conviction