.006 reads as one shape folded back on itself. Two crescents are mirrored across a central seam, joined at the seat, separated at the back. From the front the work appears symmetric. From above the asymmetry surfaces: one arc is slightly deeper than the other, like a pair of cupped hands offset. Cream bouclé carries the form. The textile is dense — almost felt — and reads as a single uninterrupted surface across the entire piece. The seam where the two crescents meet is intentional. It is the only line in the work, and it marks the place where the piece becomes a pair. Suited to private residences, collectors’ interiors, and rooms where a sofa must hold two conversations at once without separating into two objects.