The piece begins as a sculptural inquiry into volume held by skin — three rounded masses pulled taut around a single seat, soft architecture made from one material’s tension. Three bulging volumes arrange themselves in a horseshoe: a central seat bolster flanked by two rounded arm-bolts that wrap forward, and a back cushion that bridges the two. Each volume reads as a separate body, yet the silhouette belongs to one chair. Bovine raw hide is hand-stretched over an internal volume and dyed to fango — a quiet mid-warm brown. The surface holds the traces of the stretching: long puckers where at the seams where the hide gathers, soft folds where the material yields to its own weight. Where each rounded arm meets the central seat, the hide cinches into a single deep gather — a pleat held by stitch and tension. The gather is the piece’s signature, and the only place the eye can rest on a line rather than a curve. Suited to private residences, collectors’ interiors, and reading rooms where a piece is asked to be sat into rather than upon — generous, low, and shaped by the body of whoever returns to it.